Europe

Catch-Hold (England)

Catch-Hold (England)

  • Name of sport (game): Catch-Hold
  • Name in native language: Cath-Hold
  • Place of practice (continent, state, nation):

    England

  • History:

    Historically, the greatest wrestlers of England came out of the two “most wrestling regions” of the country, the West Country (Devonshire, Somerset, Dorset and Cornwall) and the North Country (Cumberland, Westmorland, Northumberland, Durham, Lancashire and Yorkshire). Residents of those regions promoted two different wrestling styles. The West Country style which was commonly known as the Cornish-Devon Wrestling was a standing catch-hold of the jackets above the waist, tripping and hooking legs allowed, back fall decided the winner, 3 foils or “go downs” substituted 1 back fall. According to the English wrestling tradition back fall was defined as a combination of shoulders and hips touching the ground simultaneously. The North Country Wrestling which was known as the Cumberland and Westmorland Back-Hold was a fixed hold style, tripping and hooking legs allowed, first down to lose. Representatives of those two wrestling styles usually didn’t compete against each other. But sometimes they challenged one another without being specific regarding the style of wrestling. In that case wrestlers were allowed to “catch any holds of their adversary’s body (not just clothes like in Cornish-Devon) above the waist, tripping and hooking legs being allowed”; sometimes a back fall decided the winner. But since all falls were “flying falls” and many of them were “disputed falls” more often the condition of “3 go downs” decided the match. This style was popular all over the country and was known as the Catch-Hold or a Peasants’ Wrestling. This style for centuries was practiced mostly by the farmers during the revels weeks and other folk and religious festivals. It was themost commonly seen mode of wrestling on the “village greens”everywhere in England.

    The “Chap-books of the Eighteenth Century” by John Ashton (published in 1882) features a story based on a folk tale about a “poor labourer in the reign of William The Conqueror called Tom Hickathrift of the Isle of Ely in Cambridgeshire.” Tom Hickathrift was a legendary character of East Anglian English folklore famous for “having more natural strength than twenty common men.” This story provides a good account of the traditional English Catch-Hold wrestling. “…he (Tom) would jump, run, and take delight in young company, and go to fairs and meetings, to see sports and diversions. One day going to the wake, where the young men were met, some went to wrestling, and some to cudgels, some to throwing the hammer and the like… After this Tom joined the wrestlers; and though he had no more skill than an ass, yet by main strength he flung all he grappled with; if once he laid hold, they were gone; some he threw over his head, and others he laid down gently. He did not attempt to lock or strike at their heels, but threw them down two or three yards from him, and sometimes on their heads, ready to break their necks. So that at last none durst enter the ring to wrestle with him; for they took him to be some devil among them.” Interestingly, Tom’s proficiency in strength and his speed allowed him to lay (catch) hold, lift and throw all his opponents with great ease. The choice of this strategy prevailed over other popular wrestling techniques, such as “locking and striking” (hooking legs and tripping). This narrative shows the evolution of English folk wrestling tactics, and how taking the advantageous and fast hold became the dominant wrestling technique.

    Famous Egerton Genesis (3rd quarter of the XIVcentury) contains beautiful visualization of such English "Peasants’Wrestling." On the sketch we see three pairs of wrestlers struggling for thepalm. The applied catch-holds techniques are shin kicking at Arm's Length,Close Struggle’s hooking legs and “playing with the hip” (Headlock intoCross-Buttock) at Side Holds Hugging. Notably, the wrestling style towhich greatest English Renaissance author William Shakespeare refers toin his famous "As You Like It" was also a Catch-Hold wrestling.

    Traditional English Catch-hold was a product of evolution of the folk and professional English wrestling styles which predated it. In the pre-Renaissance England there were 3 such styles of wrestling. There were no jackets or garments of any kind worn by pro wrestlers of that era, instead the wrestlers were wearing the “wrestling tools” which they used for “taking holds by” during matches. One of those “tools” was a “wrestling collar” and another was a “wrestling belt.” Besides wearing those special “tools” wrestlers usually had only a loin clothes (or shorts) on them, so they basically they were half-nude, often no shoes were worn. The Medieval English wrestling styles were:

    1) The Collar Wrestling (wrastelynge by the coler). The “Collar”' was a simple rope or a shawl tied either around the neck or around the torso (over one shoulder and under the other). It was a catch-hold wrestling style, one hand to the collar and with another hand wrestlers usually would grab the wrist or the elbow of their opponent. In this style wrestlers had each other on a distance, at arms’ length, so all their efforts were focused on the footwork. Tripping, hooking/crooking opponent's leg with your own leg, and yes of course kicking, or striking was important part of it. Only “fair” kicking below the knee was allowed. The best collar wrestlers of England came from the Norfolk County. Notably, the crest of the local noble family of Norman origin De Gournay (modern spelling Gurney) of West Barsham and Keswick was a wrestling collar in an enameled ring.

    2) The Belt Wrestling (wrastelynge by holdster). The “Belt” was usually also a rope or a stout leather belt girdled around the waist. It was also a catch-hold style, one hand to the belt and with another hand wrestlers usually would grasp the wrist or elbow of their opponent. In this style wrestlers would try to get in a close quarters, and the cross-buttock would be the main way of throwing, they called it a hip-lift techniques, tripping and hooking also were important at that style. In this style there was less kicking since it was not as productive as when you have your man at arms’ length.

    3) The Hug (hugg wrastelynge). In this style both men equally grabbed each other “above and under the shoulder” and from that hold (fixed hold wrestling) were supposed to give a fall. The only legit methods of throwing were: tugging, swaying and lifting. Neither use of legs or feet for throwing nor any other wrestling technique was allowed. The physical strength was a decisive factor for winning those contests.

    Both the “collar” and “belt” wrestling styles were of Norman origin and the “hug” was of Norse or Scandinavian (North Germanic) heritage. Grabbing “tools” with both hands was allowed. In English folk and pro wrestling matches the noble art of tripping was a number one skill. Back falls governed wrestling contests very rare, since from a standing position (it was a Standing Wrestling) to achieve a back fall is pretty hard (depending on the definition of the back fall of course), and no one needed to waste time on further argumentation whether there was or wasn't a fall (aka disputed falls). Back fall had different definitions (various combinations of shoulders, hips and heels) but perfect back fall was a complete flat horizontal position – perfectly aligned neck, shoulders, hips, buttocks, heels striking the ground at the same time. Though most of the wrestling matches were “3 go downs” to lose meaning that it was enough to take opponent down on any part of his body (including knees, or hands), basically it was enough to cause any kind of fall by a simple take-down.

    As it was previously mentioned any holds below the waist were strictly prohibited, yet the catch-holds of the legs and feet were known in English folk wrestling but solely and only as a reaction on the unfair kicking, i.e. kicking of the knee or kicking above the knee. The great depictions of these kind of holds are present in the form of Medieval misericords’ wood carvings such as those in the Abbey of St Mary the Virgin, Tewkesbury, Gloucestershire (XIV century) and in St George’s Chapel, Windsor Castle (XV century).

    Kicking Leg Hold

    The pro wrestlers of that era were entertaining crowds during the religious or folk festivals which were held downtown, usually on the erected wooden stage, or they would go and perform on the special occasions at the castles which belonged to the local nobility. It was a paid job. In England unlike in many other European countries profession of wrestling entertainer was well established during the Middle Ages. Usually it was a travelling troupe of performers (just like acrobats, or artists) with a “manager” (veteran pro wrestler) who was trying to book his men making sure that they always have a job. The wrestlers just like other professionals (craftsmen) of that era had their own guilds (unions).

    Medieval English Wrestling

    Nottinghamshire's Sir Thomas Parkyns (1662-1741), who was known as the “Wrestling Baronet” of Bunny and master of self-defense Zachary Wylde of Yorkshire both promoted Catch-Hold wrestling in the early 1700s. Parkyns "taketh what he pleaseth of him" and Wylde suggests to "take hold wherever he pleases" even including the dangerous full-nelson hold. In both cases only holds taken above the waist were considered fair.

    Parkyns became famous all around the country as an author of wrestling manuals. These include, “Inn Play or Cornish Hugg Wrestler” as well as a set of “General Rules of English Wrestling,” the fullest edition of which was published in 1727. His wrestling style was the Catch-Hold, in which an initial hold doesn't exist; neither does any applied hold needed to be maintained during the match. Holds were not restricted to any sort of garments (as in Cornish/Devon) but also could be applied directly to the parts of the person’s body above the waist (neck, arms, and torso). The fair back fall was counted when two joints simultaneously hit the ground, and 3 foils (if either of two wrestlers fell upon any part of the body) were a substitute for one fair back fall. All matches were 3 out of 5 fair back falls. The wrestler would wear a waistcoat and shirt. The definition of “two joints” differed from place to place. Generally it stood for the combination of shoulder and hip on the opposite side.

    Parkyns was a founder of the first annually held professional wrestling championship tournament in Bunny, Nottinghamshire. This championship existed for many years after his death and the last such tourney was held in 1809. Also it was Parkyns who in the 1700s established a basic pro wrestling promotion. At his place, he had several men whom he employed for the purpose of doing wrestling exhibitions (matches) for his friends and himself for entertainment.

    For centuries there were always two champions of England those of the West and of the North. One of the famous attempts to get in the ring both champions happened in 1817. About three miles from Pinner in London, West and North finally clashed for the Championship of England. The match was for 10 guineas (gold coin worth 21 shillings) a-side. A Somersetshire man named Sam Harber wrestled Isaac Nicholson of Thirsk (North Yorkshire). Both men weighed 13st. It was a dramatic struggle that lasted 12 minutes. Westerner won by giving his opponent a “sweeping cross-buttock.” The news reports weren't specific regarding the style used in that particular contest. But it’s obvious that it was Catch-Hold since it was a one fall match and Catch-Hold was the only existing compromised style. As it was said before back then wrestlers usually competed only in their own style and there was no competitions open to the representatives
    of both styles. Often Catch-Hold was called the as the “wrestling according to the London Prize Ring Rules”, which was a standing catchhold of the body above the waist, tripping and hooking legs allowed, back fall decided the victor, sometimes 3 foils substituted 1 back fall. This style was easy to learn and it didn't require any “specific knowledge”, unlike the Cumberland Back-hold (fixed hold style) or Cornish/Devon style (jacket holds only). In 1851, there was an attempt to make a “match of the century” between the two best wrestlers of their time in England. The Cumberland and Westmorland Back-hold Champion Robert Atkinson was supposed to wrestle against the Champion of Cornish/Devon Ring, Thomas Gundry. The conditions were supposed to be 2 falls in Back-hold, 2 falls in Cornish/Devon, and the odd fall in Catch-as-catch-can (more likely according to the London Prize Ring Rules). Unfortunately this match never happened.

    The Astley Championship Belt.

    The Astley Championship Belt

    In the early 1870s the “new style of wrestling” was introduced among the London amateurs, it was called the Catch-Hold. This style became extremely popular in metropolis especially after the brilliant performances of French pro wrestlers in England. Graeco-Roman style which was advertised as the French national wrestling style impressed local sporting circles a lot. And English reply to that was the “invention” of Catch-Hold, which was designed to represent the English national wrestling traditions. That style was “invented” in London by famous bone setter Prof. J.
    Atkinson of 12A Park Lane in conjunction with Mr. Moses Rigg. In the early 1870s annual Catch Hold amateur tournaments along with boxing (under the patronage of Marquise Queensbury) and bicyclist championships were held at Lillie Bridge, London. Organizer of those championships was J.G. Chambers of Amateur Athletic Club (AAC) a London based amateur sports organization. First champion in 1871 was Walter Armstrong the wrestler who in 1890 wrote the famous book on wrestling called “Wrestling (Styles and Systems).” Despite the Catch-Hold wrestling being a “new invention”, it has to be acknowledged that in fact this style of wrestling can be considered the most historical English wrestling style since it basically was the old folk English wrestling style known as the Peasants’ Wrestling.
    Before the invention of Catch-Hold there was no such a thing as a unified English Pro Wrestling Championship. Instead there were championships of the West Country and North Country rings. During the Golden Era of Lancashire Catch-as-catch-can (1860s) the Lancashire Wrestling Ring was established as a third pro wrestling ring of England. Historically, it was acceptable to have multiple champions of England in different styles. In 1873 took place the greatest pro wrestling gathering in English history, it was the Catch-Hold Easter Tournament which was held at Lillie Bridge, London. It was the first time in history of English wrestling when representatives of all schools participated. Both Northerners and Western men were pleased with the conditions of the “new” style. Westerners were happy that it was a catch-hold style. Northern men were pleased that first down to lose condition signified victory. Both parties were satisfied that tripping and hooking legs were allowed, but the leg holds and ground wrestling, the main features of Lancashire catch were strictly prohibited. Northerners, represented by many great pro wrestlers including their long time champion Richard Wright and a rising star champion George Steadman, were expecting an easy victory (simply because they outweighed all West Country men), but it was a Lancashire man who became entitled to honors of the first unified championship of English Wrestling Ring. William Snape, aka “Dipper”, a blacksmith from Bolton, Lancashire who was known as the “Lancashire Giant” (he was 6ft2in tall and 18st weight) outwrestled them all. Organizers were trying to make that championship for professionals annual, but their initiative failed, no one would want to compete against the “Lancashire Powerhouse” Snape who soon retired from wrestling undefeated, never being able to find a worthy opponent for himself at either London Catch-Hold or at his native Lancashire Catch-as-catch-can.
    Catch Hold
  • Description:

    The London Catch-Hold of the 1870s-80s was a standing catch-as-catchcan in which only holds of the body above the waist were considered legal. Of course the essence of English wrestling, the use of feet (tripping) and legs (hooking) for throwing opponent was allowed. The conditions of the matches were “first down (on any part of the body) to lose.” Regular matches were one fall affairs, and the final bout was 2 out of 3 falls. No kicking, hitting, or biting, or any other act of deliberate brutality was legal. Wrestlers had to appear in the ring wearing tight jerseys, drawers and socks. This wrestling style utilized the best of techniques which were for centuries part of various English folk wrestling modes, namely the tactics and skills in wrestling at Arm’s Length, at Closed Struggle and of course at the equal above and under hug (Back-Hold). The London Catch-Hold was widely promoted and the competitions for both amateurs and professionals were regularly held in the biggest cities all around the country.

    Painting: “The Wrestlers”, manner of Francis Hayman (1708-1776), previously attributed to Thomas Gainsborough (1727-1788).

    The Wrestlers Francis Hayman

  • Current status:

    The London Catch-hold never found support of the managers and directors of competitions (“bosses”) who were running the pro wrestling (Cornish/Devon, Cumberland/Westmorland and, Lancashire styles) and the amateur wrestling (in case with Cumbrian Back-Hold) rings in the country. That is why in the mid 1870s popularity of Catch-Hold dropped and at the annual gatherings of Amateur Athletic Club of London at Lillie Bridge it was even replaced with Loose Wrestling or Catch-as-catch-can (German Gymnastic Society version, aka the German Ringen). In 1880, 1881 and 1882 under the patronage of Sir John Astley at Lillie Bridge was held the tournament called “The Astley Belt”. That title will remain the most unique pro wrestling championship in English history and the most prominent gathering of English pro wrestlers of all times, it was that title and that sterling silver belt (symbolic of the undisputed wrestling championship of England) which the most famous Back-Holder of all times George Steadman of Drybeck (winner of all 3 tourneys) cherished and was the most proud of winning. The London Catch-Hold ceased to exist by 1900s, but it still was taught by the best pound for pound Catch-Hold wrestler of England, middleweight champion John Wannop of Carlisle. Even in 1907 Wannop had "Catch-Hold Championships" at his own school in London.

  • Sources of information :

    This article is based on “The Story of Catch” (2019), by Ruslan C Pashayev.

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